Eric van der Kwast is the founder and CEO of TTTM / Talk To The
Management, a boutique artist management company since 2011 and he also is a DJ
under the alias “Eric Fender".
- Life: when was the moment you figured out that Dance Music was meant to you?
- Life: when was the moment you figured out that Dance Music was meant to you?
In
1991, when I heard a radioshow called "For Those Who Like To Groove"
on Dutch National Radio, it was a radio show that only played underground house
and techno. Before that I was listening to synth and electronic pop music but
these house and techno tracks from NYC, London, Berlin, Milan and especially
Detroit and Chicago really got me hooked.
- Laugh: when was the
last time you had real fun?
Must
have been on Ibiza with a group of friends this summer, enjoying good food,
drinks, sunshine and good quality underground house and techno!
- Love: name the one
thing you love more than anything – and why is that?
Playing
vinyl is still great to do, I have a nice collection of classic house and
techno which is not available on any digital portal so these records are very
valuable to me and always great to play, especially on a solid soundsystem with
a rotary mixer (or Richie Hawtin's Model 1 mixer, that I tested recently).
- Past: name a
significant moment in your career in Dance Music – and why is that?
In
2006 I was involved with the first releases of Fedde Le Grand, I remember the
email he send me with "Put Your Hands Up For Detroit" as an “.mp3”,
it blew me away. The rest is history. Dutch house music and Dutch
dj's became even more populair. In 2007, I started the
Sneakerz MUZIK label with Dutch Dj Erick E and his business partner Dick Leijen
who where running a booking agency that already organized the so called "Sneakerz"
events, we worked together with Spinnin' on the distribution side. We did over
300 releases including succesfull hits by Sidney Samson, Franky Rizardo, Bingo
Players, Bassjackers, Ralvero and so many more. I was looking for talents
and we gave them the opportunaty to grow as producers and DJ's. It worked very
well and was a very “exiting" couple of years.
- Present: what do you
think that is trending today in music, clubs and festivals?
There
is so much new and fresh music, new styles and combinations of
various genre's that make today's dance music spectrum, scene and
industry very interesting. New markets open up, like in Asia, other markets
like USA start to focus on American talent instead of international. It is a
contant moving market. I think every country should have their own hero's
in dance music, this creates a scene which only makes the genre to grow.
Dutch DJ's and producers are still all over the globe and focus more on
cross-over dance music aswell.
- Future: where is
industry heading in the years to come?
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